Amanda Knox and the HIV test fraud

hiv-test

Within days of her arrest as a suspect in the 2007 murder of British student Meredith Kercher, Amanda Knox was told that she had tested HIV positive.  This was a lie and the circumstances surrounding this fake test form part of her appeal to the European Court of Human Rights (ECHR).

You can read more about the ECHR submission here: http://bit.ly/1XmI1BH

As she records in her book, “Waiting to Be Heard”; the HIV episode occurred in November 2007, during the first month of her incarceration and almost a year before she was charged.  She and her boyfriend Raffaele Sollecito were in custody because a judge had decided that they “might kill again” and because she might be a flight risk.  This was an abuse of the Italian law on preventive detention which is only intended for suspected terrorists and known violent offenders.

The trap is sprung

The fake HIV test result news was announced to Amanda at a nightly infirmary appointment – this was a daily occurrence while her mental state was being assessed.

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Rudy Guede, the poor black guy

oprah-winfrey

(Photo shows Oprah Winfrey.)

I was looking for the Google cache of the misnamed ‘True Justice for Meredith Kercher’ hate site today. I don’t like to give those trolls any direct hits if I can help it. For some reason the cache does not show at the moment. All you get is a tab with links to ‘similar’ sites which takes you to other hate sites like their fake wiki. Still unwilling to give them the hits, I clicked on the ‘more results’ link. This took me to another Google selection.

This is how I found the cache of Uber Fuehrer Peter Quennell’s rant about Oprah Winfrey from 2010. He got very cross when Oprah had the temerity to talk to Amanda’s folks about the travesty of the 2009 Massei trial. Quennell plays the race card as hard as he can, especially for Oprah. This is part of what he wrote, with my comments in brackets:

“Oprah Gets Snowed: Why Was She Not Made Aware of The Race Card Being Played?”

(Quennell likes his headlines capped.)

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Harry Rag and the garbage truck

injustice

Amanda Knox and Raffaele Sollecito were arrested on November 6th 2007. After a year in prison they were indicted for the murder of Meredith Kercher.

On November 7th 2007, the day after the arrest, the Italian Minister of the Interior, Giulia Amati, declared that they were guilty. Their photographs were then placed on a ‘wall of shame’ at Rome Police Station, alongside pictures of convicted Mafia gangsters. This top level condemnation from the government emboldened the media. News coverage continued on the basis that they had already been convicted.

Keep taking the tabloids

Within hours of Meredith’s murder, journalists flocked to Perugia. As soon as Knox and Sollecito were arrested, coverage went into overdrive. In the early weeks of the investigation, The Times of London was posting as many as three stories a day on its website. Everything that the police told reporters was published as truth. Many ‘facts’ turned out to be lies. None of this mattered. A good story doesn’t have to be true.

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The presumption of innocence

(C)Daniel Butcher 2007

Image (C)Daniel Butcher 2007

The presumption of innocence is the principle that a defendant is considered innocent until proven guilty. The burden of proof is on the prosecution, which has to collect and present evidence that establishes guilt beyond a reasonable doubt. The defendant does not have to prove anything. This principle is a cornerstone of justice in most advanced countries.

Except in Italy

Soon after Amanda Knox and Raffaele Sollecito were arrested, Judy Bachrach wrote an article for Vanity Fair magazine. She quoted ecclesiastical judge Count Neri Capponi who informed her that things would not go Knox’s way. “Our system stems from the Inquisition and also from medieval law,” he explained. What this means, in effect, is that justice in Italy “is based on the supremacy of the prosecution. This nullifies the fact—written in our constitution by the way—that you’re innocent until proven guilty.”

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The double tragedy of the Kercher family

This has been a tough article to write. There was a murder that need not have happened. The police may have been at fault. They had the chance to keep the culprit in custody for other crimes, before he killed. They failed. Then two innocent people were accused. The media supported a witch hunt. The victim’s family was cruelly misled. So it goes.

The family of Meredith Kercher has suffered a double tragedy. First they lost Meredith, who was murdered by burglar Rudy Guede on November 1st 2007. Then they lost seven and a half years of their lives, shackled to a failed justice system that pursued two innocent people in and out of prison, in addition to successfully prosecuting and convicting Guede.

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After the dust has settled

The acquittal of Amanda Knox and Raffaele Sollecito last Friday surprised everyone. The Supreme Court’s decision respected the facts of the case but most observers had become so jaundiced with the workings of Italian justice that few expected such an outcome.

What was in the minds of the judges as they deliberated for ten hours? What do we think they knew and what factors might have influenced them?

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Italy’s Dreyfus Affair

On March 25th the Italian Supreme Court will rule for what could be the final time on the Meredith Kercher murder. This bizarre case has now transfixed three countries for seven years since a prosecutor obsessed with conspiracies and witchcraft constructed a fantasy around three people when only one – Rudy Guede – was Meredith’s killer.

After being falsely accused, Amanda Knox and Raffaele Sollecito served four years in prison, but were released following a successful appeal in 2011. No credible witnesses have linked them to the crime and the forensic evidence has been discredited by international experts, including Professor Peter Gill, the pioneer of low copy number DNA technology. Sollecito’s attorney Giulia Bongiorno said it was the first time that ‘two people have been convicted of a crime when there is no evidence putting them at the scene’.
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